Castelli e fortezze nelle città e nei centri minori italiani (secoli XIII XV). 3D Technology in Fine Art and Craft: Exploring 3D Printing, Scanning, Sculpting and Milling. 2016, 3D Printing Technologies: Social Perspectives, Working Paper in and .īridgette Mongeon. Fabricated: The New World of 3D Printing. Montecastrese e l’incastellamento in Versilia. Atti del V Congresso Nazionale di Archeologia Medievale Foggia-Manfredonia 30.09-03.10 2009, Firenze 2009, 268-273. Ricerche Archeologiche in un’Area Buia della Toscana Settentrionale. Practical 3D Printers: The Science and Art of 3D Printing, New York: Apress L.P. Videometrics IX, Proceedings of Electronic Imaging Science and Technology (SPIE), 64910S1 - 64910S10.īrian Evans. The Potential of 3D Techniques for Cultural Heritage Object Documentation. Bianco Bianchi Cronista del ‘500, Lucca: Matteoni Stampatore. Proceedings of the Workshop, Malta, 61-69. In CRMEX 2013 Practical Experiences with CIDOC CRM and its Extensions. Quality Management of 3D Cultural Heritage Replicas with CIDOC-CRM. © by the authors. This article is an open-access article distributed under the terms and conditions of the Creative Commons Attribution License CC BY-NC 4.0 ( ). Studies in Digital Heritage will insert the following note at the end of any work published in the journal: Details of these terms can be found on the Creative Commons website.ĭownload SDH’s full author agreement here Once an article is published, anyone is free to share and adapt its contents-provided only that they do so for noncommercial purposes and properly attribute the shared or adapted information. How this works: to submit their work to the journal, authors grant Studies in Digital Heritage a nonexclusive license to distribute the work according to a CC BY-NC 4.0 license. Our submitting authors pay no fee and retain the copyright to their own work. For the northern tower a specific operation based on the use of 3D printed models was brought on to bring to an end the debate about the sequence of the fall of the tower, quite important to the digital reconstruction of this building, the direct manipulation of a scaled model turned out to be a fundamental step for the completion of this part of the research.įrom, the contents of Studies in Digital Heritage are licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). The use of 3D modeling of all the lost parts, from the houses to the defense walls, to the system of towers was one of the focal point in this work, using the modeling process from the survey and supporting the reconstruction hypothesis with previous archaeological data, while matching the missing parts with similar architectures and the needs of the medieval defense/attack techniques. The general survey plan has seen the use of aerial photogrammetric survey, 3D laser scanner survey and terrestrial photogrammetry. In 2015 the municipality of Camaiore commissioned a complete digital survey to the Dipartimento di Architettura in Florence. A quite extended village was placed on the southern side of the hill. At the time of its major development the small fortress was organized around two main towers, with walls and various houses. In the first half of the XIII century, the castle of Montecastrese was conquered and destroyed by the army of Lucca. The archaeologists brought back to light the traces of the fortress and of the village, exploring the monumental ruins of the northern tower, still in place and tumbled down in two main large parts. In the XX century, after being forgotten for centuries, a series of archaeological excavations have brought to light the settlement, named “Montecastrese”, a system of Medieval fortifications organized on the top of a hill near the town of Camaiore, on the Tirreno sea.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |